Showing posts with label beirut. Show all posts
Showing posts with label beirut. Show all posts

Tuesday, June 16

see

music videos are one of the most versatile, accessible and exciting art forms. outside of the mainstream exist videos made out of ice sculptures, paper and food fights. videos that restructure videos of the past, videos that feature costumed adults riding bikes choreographically and rarely used techniques that add to the unique-ity of the artist. enjoy. words above the vids are the key reasons that i love them.


Jenny Lewis - "Black Sand" - double exposure
Passion Pit - "The Reeling" - gritty torn paper



Bat For Lashes - "What's a Girl to Do?" - biking animals


WHY? - "A Sky for Shoeing Horses Under" - purple thunder clouds


Grizzly Bear - "Two Weeks" - eyelids



Ratatat - "Shempi" - abba



Beirut - "In the Mausoleum" - watermelons
(this may or may not count as a music video)



Animal Collective - "My Girls" - color and texture



Lykke Li - "I'm Good, I'm Gone" - elderly joints



Justice - "D.A.N.C.E. (Justice Remix)" - tees (duh)



Matt and Kim - "Yea Yeah" - live food


Modest Mouse - "Little Motel" - backwards with a backwards ending



Thursday, June 5

Beirut



the most beautiful thing i've ever seen is a flying tambourine. 

never in my life have i been so in awe of a musician. Zach Condon's modest mastery of the french horn was inspiring, as were his tattoos of the same instrument. opening with Nantes, the band captivated the audience immediately, resulting in an abundance of applause that lasted minutes - the sound of clapping hands overpowering the music, causing the band to pause and smile. the show got better and better, easily surpassing any expectations i had preceding the performance. my favorite song was easily Forks and Knives. i felt like i was in a winter wonderland, though the month was may and the song has nothing to do with christmas. overall the experience was fantastical, but even with the two additional encores my want for more has not disappeared. 

photo courtesy of Samuel Kirszenbaum